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Dating from 1655, Ecce Homo ( Christ presented to the people) is one of Rembrandt's largest etchings. The work depicts the New Testament scene in which Pontius Pilate asks the people of Jerusalem to decide whether Jesus or Barabbas should be spared execution.


Rembrandt Harmensz. van Rijn Ecce Homo (1655)

Rembrandt Ecce Homo. Literature; Iconclass; Rembrandt Ecce Homo c. 1637 334 x 270 mm Red chalk Kupferstich-Kabinett, Dresden. Literature Catalogues raisonnés HdG 221 Benesch 1954-57 135 Schatborn D44 Iconclass 73D36 Pilate showing Christ to the people, 'Ostentatio Christi', 'Ecce Homo' (John 19:4-6)


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Pablo Picasso. "Ecce Homo," after Rembrandt from Suite 156. 1970, published 1978 | MoMA Visit Art and artists Pablo Picasso "Ecce Homo," after Rembrandt from Suite 156 1970, published 1978 Not on view Like many artists, Picasso looked to the history of art for inspiration.


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File: Rembrandt, Christ before Pilate (Ecce Homo), 1634, National Gallery, London.jpg


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Details Title: Christ Presented to the People (Ecce Homo) Creator: Rembrandt van Rijn Creator Lifespan: 1606 - 1669 Date: 1655 Location: Netherlands Physical Dimensions: w17.69 x h13.88 IN.


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'From Rembrandt: Ecce Homo', Leon Kossoff, 1999. Summary. This print. is one of many works executed by the London-based artist Leon Kossoff in response to Old Master paintingsThe paintings of Rembrandt van Rijn (1606-69) have a long-standing appeal to Kossoff, whose output includes numerous drawings and prints derived from close study of Rembrandt's work in the National Gallery.


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Christ Presented to the People, also known as Ostentatio Christi or Ecce Homo, is a drypoint print by Rembrandt van Rijn which exists in eight states, all c.1655. It is one of the two largest prints made by Rembrandt, about 15 by 18 inches (38 cm × 46 cm), similar to his 1653 engraving of The Three Crosses.


Ecce Homo, 1634 Rembrandt

Details Title Christ Presented to the People (Ecce Homo) Dated c. 1653 Artist Rembrandt van Rijn Nationality Dutch Artist Life 1606 - 1669 Role Artist Gallery Not on View Department European Art Dimension 14 1/8 x 17 13/16 in. (35.88 x 45.24 cm) (plate) Credit Bequest of Herschel V. Jones


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The monumental Ecce Homo depicts the moment when Pilate's wife (seen here in the upper left hand window) 'sent word to him to have nothing to do with that righteous man for I have suffered much over him today in a dream'.


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Rembrandt stages the scene with a multitude of figures, each responding individually to the events on the dais. Pilate, with the long staff, points at Christ and leaves the choice to the people to release either 'the King of the Jews' or the murderer Barabbas. The outcome is known.


Ecce homo

Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.


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. The paintings of Rembrandt van Rijn (1606-69) have a long-standing appeal to Kossoff, whose output includes numerous drawings and prints derived from close study of Rembrandt's work in the National Gallery.


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An Elderly Man as Saint Paul Rembrandt Room 22 Anna and the Blind Tobit Rembrandt Room 22 Belshazzar's Feast Rembrandt Room 24 You've viewed 6 of 25 paintings See more add Rembrandt, Ecce Homo, 1634. Read about this painting, learn the key facts and zoom in to discover more.


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Pablo Picasso. After Rembrandt: Ecce Homo. 1970, published 1978. Etching and aquatint. The Museum of Modern Art. The Edgar Wachenheim III Fund, 2009. © 2009 Estate of Pablo Picasso/Artists Rights Society (ARS), New York There are lots of reasons why a work might be acquired for MoMA's collection.


joseph scissorhands Ecce Homo

Christ Presented to the People (Ecce Homo) The crowd surrounding Jesus here is not asking for help but demanding that the Roman governor, Pontius Pilate, put him to death. In his suggestive rendition of the scene's urban setting, Rembrandt shows his talent for depicting architecture. Although pursuing the tradition of the great engravers of.

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